Reference

The art glossary

Plain-English definitions of 39 terms you will meet when buying, hanging and caring for original paintings, from impasto and glazing to provenance and gallery wrap.

  • Abstract artStyles & ideas

    Art that does not try to depict people, places or objects realistically. It communicates through color, shape, line, texture and composition instead.

    Abstract paintings can be completely non-representational, or they can begin from something real, such as a landscape or a feeling, and simplify it until only its essence remains.

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  • Abstract expressionismStyles & ideas

    A movement that emerged in New York in the 1940s and 1950s, emphasizing spontaneous, gestural mark-making and large fields of color to express emotion.

    It is often divided into gestural 'action painting' and calmer 'color field' painting.

  • Acrylic paintMaterials

    A fast-drying paint made of pigment suspended in an acrylic polymer emulsion. Once dry, it becomes water-resistant, flexible and very durable.

    Acrylic can be applied in thin, watercolor-like washes or thick, sculptural layers, which makes it ideal for textured abstract work.

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  • ArchivalMaterials

    Describes materials made to last for generations without yellowing, cracking or fading, such as acid-free supports and lightfast pigments.

  • CanvasMaterials

    A woven fabric, usually cotton or linen, stretched tightly over a wooden frame to create a painting surface.

  • Certificate of authenticityBuying & collecting

    A signed document from the artist confirming that a work is an original, usually listing its title, medium, size and date.

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  • Color fieldStyles & ideas

    A style of abstract painting built from large, flat or softly brushed areas of color meant to create a mood or meditative experience.

  • CombingTechniques

    Dragging a comb or notched tool through wet paint to create rhythmic ridges and parallel lines.

    Combing gives a painting physical texture that changes with the light. You can see it in Echoes in Bloom.

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  • CommissionBuying & collecting

    A painting created to order for a specific client, often with an agreed size, palette or theme.

  • Complementary colorsStyles & ideas

    Colors opposite each other on the color wheel, such as blue and orange or red and green. Placed side by side, they make each other look more vivid.

  • CompositionStyles & ideas

    The arrangement of shapes, colors, lines and space within a painting, and how they guide the viewer's eye.

  • DiptychDisplay & care

    An artwork made of two panels designed to hang side by side. A three-panel work is called a triptych.

  • D-ringsDisplay & care

    Small D-shaped metal hangers screwed into the back of a frame or stretcher, usually strung with picture wire.

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  • Focal pointStyles & ideas

    The area of a painting, or of a room, that draws the eye first. A strong painting often becomes the focal point of a room.

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  • GessoMaterials

    A primer brushed onto canvas before painting. It seals the fabric and gives the surface 'tooth' so paint adheres well.

  • GesturalTechniques

    Painting with visible, energetic brush or knife movements that record the motion of the artist's hand.

  • GicléeBuying & collecting

    A high-quality inkjet reproduction of an artwork, printed with archival inks. A giclée is a print, not an original painting.

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  • GlazingTechniques

    Applying a thin, transparent layer of paint over a dry layer so light passes through and the color appears to glow.

    Glazing is how the gold in Golden Threshold seems to shine from within.

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  • Hanging heightDisplay & care

    How high a painting hangs. A common gallery guideline is to place the center of the artwork about 57 to 60 inches from the floor.

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  • ImpastoTechniques

    Paint applied so thickly that brush or knife marks stand up from the surface, creating texture and shadow.

    Impasto makes a painting look different from different angles and at different times of day.

  • LightfastnessMaterials

    A pigment's resistance to fading when exposed to light. Professional-grade paints are rated for lightfastness.

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  • Limited editionBuying & collecting

    A set number of prints made from one artwork, usually numbered and signed. Unlike an original, more than one exists.

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  • Mark-makingTechniques

    The lines, dots, scratches, drips and textures an artist creates. In abstract art, the marks themselves carry meaning and energy.

  • MediumMaterials

    The material an artwork is made with, such as acrylic on canvas, or an additive mixed into paint to change its texture, flow or finish.

  • Negative spaceStyles & ideas

    The empty or quiet areas around and between the main shapes. Negative space gives a composition room to breathe.

  • One of a kindBuying & collecting

    A unique original artwork. No other identical version exists, unlike prints or editions.

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  • Original artworkBuying & collecting

    A work made directly by the artist's hand, such as a painting on canvas, rather than a reproduction.

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  • Palette knifeTechniques

    A flexible, blunt metal blade used to mix paint or apply it in thick, sculpted strokes.

  • ProvenanceBuying & collecting

    The documented history of an artwork's ownership. Buying directly from the artist gives the clearest possible provenance.

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  • ScaleDisplay & care

    The size of an artwork in relation to its surroundings. Getting scale right is the most important part of choosing art for a wall.

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  • SgraffitoTechniques

    Scratching through a top layer of wet paint to reveal the color beneath.

  • SignatureBuying & collecting

    The artist's name or mark on a work. Svitlana signs her paintings on the back, so nothing interrupts the composition on the front.

  • Stretcher barsMaterials

    The wooden frame that canvas is stretched over. Deeper bars give a painting more presence on the wall.

  • TextureTechniques

    The physical surface quality of a painting, from smooth and glassy to ridged and sculpted.

  • TriptychDisplay & care

    An artwork made of three panels displayed together as one composition.

  • UnderpaintingTechniques

    The first layers of a painting, which set out its structure and color and often show through in the finished work.

  • VarnishMaterials

    A clear protective coat applied to a finished painting. It guards against dust, moisture and UV light and evens out the sheen.

    All of Svitlana's paintings are varnished to protect their colors.

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  • Warm and cool colorsStyles & ideas

    Warm colors (reds, oranges, yellows) feel energetic and seem to advance. Cool colors (blues, greens, violets) feel calm and seem to recede.

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The collection

Find a painting that feels like home

Six one-of-a-kind abstract paintings, signed, varnished and ready to hang. Free pickup in Troy, Michigan, or shipped to your door.